31 October 2010

Madams by Abigail George

My mother is screaming, yelling at Mildred Jacobs to go. If she doesn’t want to work she should go. “But I am finished with the kitchen.” Mildred Jacobs says lamely. My mother says, “You didn’t do the floors. You didn’t clean properly. You didn’t wipe the cupboards.” I hide in my bedroom. All Mildred Jacobs says with a defiant air is, “I am finished with the kitchen.” “You must go now. I will pay you.” My mother says, tired and her voice strained, “If you do not want to work then you must go...”

This story has been selected for the StoryTime anthology African Roar 2012, please go to the African Roar site for more info.



Madams was written by Abigail George.

Copyright © Abigail George 2010.



I am a writer of short stories, articles, personal essays, a memoirist, diarist, grant writer and poet who was born in Port Elizabeth, South Africa in 1979. I studied film and television production for a short while at Newtown Film and Television School in Newtown, Johannesburg, South Africa which was followed by brief stints as a trainee at a production house, studying Business Administration through correspondence, Bible School at Word of Faith Christian Centre in Port Elizabeth, South Africa and studying creative writing through the Leisure Study Group’s Writing School via correspondence again.

I have been published widely in print and online in journals and magazines in South Africa namely Litnet and on Litnet’s Blog, Sun Belly Press, Botsotso, Carapace, New Contrast, Kotaz, Timbila, Echoes Literary Journal, Upbeat and Tribute and online in Africa in South Africa, Nigeria, Kenya, Turkey and Zimbabwe and internationally in the United States, England, Finland and Canada.

I have received two grants from the National Arts Council in Johannesburg. In 2005 for a poetry anthology entitled, Africa, where art thou? and again in 2008 for manuscript development for a collection of short stories entitled, The Origins of Smoke and Mirrors. In 2010 I was published in the following anthologies; Poems for Haiti (Published by Poets Printery), Animal Antics, Soulfully Seeking (Published by the Poetry Institute of Africa) and the forthcoming African Roar 2011.






24 October 2010

A Fine Madness by Mashingaidze Gomo (book excerpt with a preface from Ngugi wa Thiong’o)

Preface by Ngugi wa Thiong’o

A Fine Madness is really a collage of verse and prose narratives, memories, images, thoughts and characters against the background of the 1998 Congo war following the death of the Congolese dictator Mobutu Sese Seko and the Senior Kabila coming to power. Kabila, a Lumumbaist was a long time foe of the Mobutu dictatorship. Challenged by dissident guerrillas seemingly backed by the West suspicious of Kabila’s links to the earlier Lumumba and his avowed leanings towards Marxism and Moism, Kabila is helped by African forces from more than six African countries, the most sizeable and committed to Kabila’s restoration being the Zimbabwean contingent. The poet-narrator would seem to be part of the Zimbabwean forces operating from and around Boende, in the Congo. From the air and on the ground he is able to observe and contemplate the chaos in the Congo, which in his eyes also becomes the story of an Africa that has seen so much blood and tragedy. His observations interact with his thoughts and remembrance of Zimbabwean history of anti-colonial resistance and fight for land, from the First Chimurenga war inspired by Mbuya Nehanda to the current land politics in Zimbabwe. Mbuya Nehanda becomes the image of centuries of African resistance to the colonial horror of chambers wrought by the likes of Leopold II of Belgium and Cecil Rhodes of South Africa and Rhodesia.

But this is not a narrative of history. The actual historical figures are not mentioned. These events are tangential to the torrents of images that are conjured by the author’s imagination. It opens with the figure of Tinyarei, but soon one senses that this very real almost palpable beauty is really Zimbabwe, Africa and the Black world. Constant are the themes of the horror and loneliness of war; but also the beauty of resistance. Gomo brings little chance encounters to life and then gives them symbolic significance; his vivid description of the landscape; his sheer immersion into the African landscape makes this collage captivating. He can yoke the most contradictory into a searing insight. The camera lenses of a tourist are transformed in his imagination into the telescopic lenses of a machine gun, the clicking becoming the Guevarian staccato cries of machine gunfire; the tourist and the terrorist become each other. Queen Victoria and Mbuya Nehanda are coupled together; one, the builder of the empire of blood and the other the prophetic voice of a blood of passions and hope. Gomo’s Africa may bear the mark of tragedy, the heart of darkness of European making, but, out of it, are possibilities if Africa learns to unite and protect its own.

Mashingaidze Gomo’s vision might come across as pedantry with the tendency to see history in terms of a monolithic whiteness against an equally monolithic blackness. But this is belied by the fact that, whatever the interests behind the warring forces in the Congo, it is African armies that are pitted against one another; and those who run postcolonial governments are all Africans. He leaves little room for social fissures on either side of the black and white encounter. By subsuming class divisions in Africa under the struggle between two colour monoliths, he denies himself a perspective that might better explain the emergence of postcolonial dictatorships and their actual relationship to the Western corporate bourgeoisie.

But when he lets his images and characters speak for themselves; his eye for detail draws the scene; his sense of irony tells the tale; indeed when he lets us experience the transformation of the physical landscape into that of the richness of life, his fine madness comes tantalizingly close to that Divine Madness that possesses poets and prophets.

Ngugi wa Thiong’o
Irvine
14 April 2010




Tinyarei
(Give us a break)

The woman I am missing now is a beautiful woman
An older woman aged in beauty
A beauty that hangs on even as age takes its toll
Lingering on like a summer sunset . . . reluctant to go
A beauty digging in . . . making a last stand around the
eyes where her smile is still disarming

Those who have looked askance at the wisdom of falling
in love with an older woman, I have always told them
that it is a fine madness
And for those who have only heard and yet not seen, it
remains madness until they see Tinyarei

She is the perfect thing

And then, there are many who have reasoned again and
again that beauty so superlative should be scattered
around or shared . . . globalized if you like, so that there
cannot be too much power over the hearts of men in any
one woman’s hands

And there are also some, surprisingly black too, who
have argued that beauty so superlative is too good for an
African

They have accused Tinyarei of sitting on money and
insisted that she should invest herself in European fashion
magazines
They have insisted to me that Tinyarei should be walking
the streets of London and Paris, signing contracts that
shackle her to European commerce . . .
And they have campaigned to be the sales people of her
Person

And some have asked kuti, ‘Unomupei? . . . 1
Can you afford the things that sustain her beauty and
style?’

As if all African women are invalids . . .
Beautiful invalids who marry fortunes
As if all African beauty and womanhood should be
relegated to mere aesthetics

Naturally, I have stood at variance with such ideas

An African woman should be as beautiful as she wants to
be and yet not be shared or sustained by men . . .
And the madness of falling in love with her should owe
no explanation to anyone . . .
Not even a group of white journalists from a European
fashion magazine

You see . . . I feel deeply for Tinyarei . . .
The feeling I have for her is a deep and powerful thing
As deep and powerful as a bottomless sea
A raging, turning and twisting passion, as inexorable as it
is real

A fire that keeps burning, burning and burning like the
Flame of Independence 2 at the kopje

I know that there is beauty that lies in the beholder’s eye
A secret beauty that demands that one should look
again. . .
And then it suddenly becomes so intense that one
wonders how they could have missed it at all the first
time

And then with all that in mind, I know that the beauty
that is Tinyarei’s is undeniable to any eye
She is exceptionally beautiful against any imaginable
background
On the streets of Harare
Pachibhorani kwaMuda
Kubanya kwaNyandoro
Or even by the Anglican Cathedral close to parliament
I first saw Tinyarei at the inauguration of Chief
Nyandoro, possessed by an ancient spirit of the land
Dancing to life
Whirling in a whirlpool of music and lore

And she could have snapped any eye anywhere
And she sang: Kufa kunesu machewe
Tarisai ndaitwa mukomberanwa garira
Noko 4

And at Boende, I missed her with a nostalgia that was
like madness
In the solitude of war, in which men marched in
battalions and flew in helicopters, gigantic aircraft and
other quick birds of war . . . sometimes in combat
formations and sometimes solo, I wandered in the
loneliness of memory . . . missing her

And it was a lonely Boende, with the MI35 gunships
taking off for Bokungu on our arrival from Mbandaka
during the fight for Ikela and rebels were on the run

And, I was remembering the first time I had seen the
helicopter gunships at Kamina . . .

Two gigantic birds of war that had ridden the distant
horizon to land in a swirl of blades and dust
And men had gathered from all over the transit camp to
inspect the hi-tech aces everybody expected would
transform the face of the war
And one man . . . a dark-skinned warrant officer,
had taken pride in explaining their capabilities to awed fighters

And now, they shook the earth, rolling down the dirt
runway, one by one, four giants, laden by armloads of
weaponry
One by one, they laboured into the air, dipped behind the
palm trees and were gone . . . as if they never were

And Boende became a lonely place . . .
Alone . . . watched by the bloodstained glare of the jungle
Unguarded by the bloodied presence of the gigantic
Gunships

And on the helipad, two Alouette III helicopter gunships
crouched low and small
And a windsock swayed in the wind
A half-hearted bid to repulse the crowding solitude
And I missed her then . . .

I missed Tinyarei with a wretchedness that was like
madness

A very fine and enjoyable madness

And it always feels pleasant to miss a woman
Sometimes it is even better to miss than to be with her
And at Boende, it felt nice to miss Tinyarei
It felt nice to defy the conventions of a world that has
institutionalized nature into the racist channels of
Western intellect
It felt nice to defy the judgement of a world that has
styled all life to the whims of barbarians
At Boende, DRC, it felt astonishingly nice to be mad at
the whole world

And, in the messing bunker, I introduced myself as
Warrant Officer Class Two Takawira Muchineripi, alias
Comrade, alias Changamire 5
And it felt spitefully nice to be all the names the British
priest had refused in Sunday school
He had said Muchineripi was too pagan and suggested
some such names as Amos, Joel or Peter, all of which I
had refused for fear of offending old grandfather who
had given me the name
And, when I chose to leave his flock instead, the priest
had thought I was mad

And, looking back at it all paBoende, it felt so awfully
nice I could have enjoyed refusing his suggestion again
and again and again

And if I had had to refuse it again at Boende, I would
have iced it with spleen because his own name was Father Dion
And Dion was from ‘Dionysus’
And Dionysus was the pagan Greek god of wine and
fertility
And they said that whenever Dionysus visited Mount
Olympus, the gods got pissed, sang, grooved and
romanced all night long because Dionysus always moved
with a good supply of beers

And yet the priest had said my name was pagan, as if
Greek mythology from which they had taken his own
name was Christian
And in my heart, I had said, ‘Are you God?’
Because, even if I had changed my name, I would not
have felt like Joel, knowing that I was Muchineripi
Because, Muchineripi, like most African and for that
matter Jewish names was a social statement. I knew that
Jacob, whose name meant ‘supplanter’ was renamed
‘Israel’, which meant ‘I have fought with God,’ after he
had wrestled an angel of God

And, by the same token, my own name was a social
statement . . .
A slap . . .
A slap into the face of someone my grandfather had
wanted to spite and like his own name ‘Takawira’, it told
the story of social strife
Thus, becoming Peter would not have erased the
circumstances I had been born into
Circumstances that were part of me
Circumstances that were family, tribal as well as national
scars, irremovable by name-changing
Because, no black person born into the colonial era was
Born into peaceful settings

All were born into brutal segregation against which
Resistance took all forms...including naming of children
to record sorrow and strife...lest the people forgot


1. And some have asked, ‘What can you offer her . . . ?’
2. The flame of independence is a torch that burns on the summit of
Harare kopje. The flame symbolizes Zimbabwean sovereignty
3. At the borehole at Muda /At the rain shrine at Nyandoro
4. Death is with us for real/Look I am besieged
5. The name Takawira Muchineripi is an allegory. Takawira defines colonial bondage. Muchineripi is a verbal challenge to a beaten enemy if he still has anything else to say. Changamire is a traditional ruler and also a title of reverence when addressing elders.



The wasp is corrupt

And, one day we observed a big wasp going about her
business
And the business was building a nursery in one corner of
the waiting lounge at the terminal at Boende

And then she must have missed a step, because a piece of
mud fell onto the floor and she flew out to fetch a
replacement from the puddle where two pigs had been
taking a mud bath
And it was a wonder how pigs could not resist puddles,
no matter how small
And puddles were a nuisance to us . . . providing a
breeding ground for mosquitoes that caused malaria that
killed soldiers
And to pigs, puddles were skin lotion . . . providing
protection from insects and the sun and it was also the
breeding ground for the worms they fed on
And to wasps, it was a quarry, providing building
material for nurseries

And then, while the wasp was putting the final touches
on the nursery, a big green caterpillar started crossing the
floor strutting like an ox

And right in the middle of the floor, it stopped as if to
consider something and then suddenly turned and came
towards my stretcher bed

And I became apprehensive and got up to kick it out of
the room
I have known some of these caterpillars to shed
poisonous hair as they crawl over one’s back . . . taking
advantage with insolence

And then, even as I got up, the big wasp landed on the
caterpillar, which wriggled vigorously as she pumped
venom into it . . . A subversive venom that paralyzed the
caterpillar’s fighting systems . . . undermining its will to
struggle and it went limp

And then, I called others and we all marvelled at the
principles of flight and load-carrying being put into
practice by an insect that had never been to flight school

Thrice, the she attempted vertical take-off
And thrice she faltered under the weight of a load that
was almost twice her size
And then, to our surprise, she aligned herself with the
door and made a rolling take-off, straight outside where
she gradually gained altitude and then came back into the
room and went straight for the nursery . . . a mammoth
task executed for posterity!

And a Congolese who had also come to observe the
drama said something I could not understand and when I
asked for interpretation, Monalisa said, ‘He is saying that
the wasp is corrupt!’

And I thought it was surprisingly well thought out and
everybody laughed at the application of human values to
the wasp . . .

The wasp that had taken the caterpillar hostage, to
nourish her own descendants
The wasp seemed to have had very definite plans
In the air where she spent much of her life, she had had a
satellite view of everything
She knew a safe spot for her nursery
She knew about the puddle and about the caterpillar
And, all the pieces fitted into her Machiavellian plan

And she had started building the nursery fully aware that
if the caterpillar knew her plans, she would not agree to
them because no living thing on the planet would agree
to be used to nourish the progeny of another living thing
by giving up its own life
So, in the wasp’s plans, violence would have to be used
on the caterpillar’s life . . .
As violence was used to enslave the African to nourish
the children of white people
As Rhodesian colonialists legislated forced labour against
Zimbabweans to nourish their progeny

And, reflecting upon it later on, I thought that if
civilization, democracy and Christianity were a
realization of man’s rejection of the law of the jungle,
then there must surely be a part of that jungle which the
European community had grudgingly retained . . . a
savagery with which to deal with African people

And talking about corruption . . .
What corruption could be worse than slavery?

Forced labour?
Minority rule?
Apartheid?

What corruption could be worse than imperialist
oppressors training and sponsoring terrorists to
destabilize Africa for rejecting their dominant rule?
What corruption could be worse than imperialist
oppressors subverting and arming African children to
commit fratricide and trash their own sovereignty and
heritage?

What corruption could be worse than a blatant refusal to
acknowledge the immorality of having a few Rhodesian
barbarians owning the majority of prime land in a
sovereign state of thirteen million landless black people?

And talking about definite plans . . .
Were we here not fighting the definite plans of Western
wasps who were building nuclear reactors and aerospace
industries knowing about the DRC’s mineral potential in
the sustenance of such ventures…?
Yet not intending to engage in fair trade for them
Plotting instead . . .
Plotting to kill in order to gain access

So, was Africa not the fat caterpillar?




A Fine Madness was written by Mashingaidze Gomo and is an excerpt from his début book A Fine Madness published by Ayebia Clarke Publishing Limited (April 30, 2010).

Copyright © Mashingaidze Gomo 2010.



Mashingaidze Gomo was born in Rhodesia (now Zimbabwe), third in a family of eight, where he was raised during the struggle for Zimbabwean independence. He joined the Airforce of Zimbabwe in 1984 as an aircraft engines apprentice and later joined 7 Squadron as an Alouette 111 helicopter technician and gunner in Mozambique where Zimbabwean Defence Forces protected the fuel pipelines from Beira during the civil war in Mozambique.

He returned to the Zimbabwean Airforce School of Technical Training as an instructor in aircraft engines and later served in the war in the
Democratic Republic of Congo (DRC). After the DRC, he completed a BA degree in English and Communications.

In 2007, he retired from the Airforce to study for a BA (Hons) degree in Fine Arts (Chinhoyi University of Technology) and to pursue a life in the arts.

Gomo is married with three children and lives in Zimbabwe. A Fine Madness is his debut book.





17 October 2010

Alika's Dilemma by Fredrick C. Nwonwu

Back in the days when boys still waited under the big Udarra tree for the ripe fruit to fall, when it was still taboo for thrown stones to hit its sacred branches, when the falling fruit was by default the first pickers own, when the rush to the stream was a bigger taboo than stealing yam from an elder’s barn, when the first claimed all but was expected to share by nature of the Earth’s law, when pre-marital sex was unknown and a woman’s pride was the stained loin cloth seen after the bridal night.

Those days of predictable happenings, when men come home to their families and divorces were so rare they were stuff of legends - used to frighten the unruly daughter back in line. These were days of plenty, men planted their bellies worth and the extra for trade by age-old barter.

It was in these days of fable beginnings that Alika The Giant walked the Seven Hills, sending shivery fear down his enemies’ spine. The elders recall that no one dared fight Alika’s clan, Umumba, within the Seven Hills. The warriors of the other clans heard his fame's roar from afar and slunk away like women.

This is the story of Alika’s pursuit of the vivacious Amoge as told by his bard friend Obele Okwu the Great. Not forgetting that he was an apprentice at this time, though he always swears, by the Thunder God’s bellow, that he was better than his teacher, and we can only measure his truthfulness by the pinch of the river people’s salt lick.

His tale came to me through a long line of oral historians who travelled the wild-lands collecting stories of this like for the horsemen who ploughed the northern fringes of a fading dynasty in the days of waning light. I will disappear from this tale (for the time that is.) and allow you judge his authenticity for yourself.


-D’Lameone 5520 A.M. (After the Mirror’s Fall)


Dusk had just passed into deeper darkness and the night market of Alor was in full swing. From the river harbour market, crowded with slave and livestock pens, to the cluster of the huts of homesteads, and on to where the trade routes met the river road. The smoky light of hundreds of oil lanterns hung on bamboo poles beat back the shadows to lend an almost festive ambiance to the scene. There are several raffia sheds near the trade route, where the light by some kind of trickery appears not as bright as elsewhere. Here too, the business is of flesh, but of a more sensual leaning.

It is from this latter place that the captivating sound of flute music wafted out of, drawing even the attention of ears not attuned to music. As it would appear, good music is designable by even the musical novice. The music was obviously being played by an expert and the claps and sudden shouts that accompanied it attested to the fact that the audience were being titillated. Suddenly, the notes appeared to waver then picked up again, this time accompanied by a powerful male voice.

The song played on for several minutes and other voices joined in the chorus. After awhile the voices quieted, giving way to the flute which trilled on for a longer while, rising and falling with an expertise that almost seemed to have a show-offish undertone; like the musician wanted to prove to everyone that he was really good, and his music was not a fluke. The music reached its crescendo and died, almost reluctantly. There was a lull then clapping and shouts broke out.

In the midst of all the noise was Obele Okwu, tall and lanky with the face of a mischievous cherub. An ornamented flute was clasped in his hand as he bowed low first to one direction then to the other, smiling all the time as if he fed off the praise of his captivated audience.

He happily grabbed the large gourd of palm wine that the proprietor of this not too respectable establishment offered him as a token of appreciation, for Obele Okwu had just managed to draw in more customers than he had seen outside of the festival season. Obele did not bother with the cup provided, as he lifted the gourd to his lips and drank thirstily.

“Whew!” he exclaimed, after putting down the gourd, wiping off the froth from his lips with his long fingered hand, “Obele has arrived, If there is one thing that my grandsire’s people are good with, then it is the tapping of the raffia palm. This is good wine, Okadi, My Mother’s kin, you know wine.” With that he saluted the tavern owner and drank again.

“Not a thing, son of my sister, not a thing. Since you are of our blood, I knew you would know good wine so I offered you one. Most of your brothers from the Seven Hills would not tell an average one from a super wine” said Okadi.

At the mention of the Seven Hills the entire hut shushed, and everyone turned to look at Obele Okwu. Wonder shone in their eyes as most speculated what a man of the Hills was doing in the Low Lands at this time of the year.

“You are of the Seven Hills?” the man that had lent his voice to Obele’s song asked.

“Yes.” Obele said non-committally, taking a deep swig from his gourd.

“And what brings a hill man to the Low Lands in the wet season?”

Obele, did not answer at first, just sat there and nursed his drink while the crowd, feeling a tale in the air, shifted as close as they could without upsetting Okadi the tavern owner who is known for his deadly temper.

Obele lifted the gourd to his lips, drained it and slammed it on the bamboo and raffia table. He then declared that if the Lowlanders wanted to hear his tale they should refill his gourd, since, according to him, the mouth loosens up more easily when it was wetted constantly during a tale.

This brought general laughter to the gathered Lowlanders. Though some murmured that this Hill man drank like a fish and may drink hole into their pockets, but there was a general agreement that his tale would be worth the expense.

So more drink was bought and Obele made his way to a more central position and after delaying for as long as he could get away with, cleared his throat and began his tale.

“My name is Obele Okwu which, as you will find, is a misnomer, for I earn my living as a bard, and you know we bards sing as loud as the Iroko gong – I know some of you have never seen the Iroko gong, it is a large gong cut into the base of the giant Iroko but that is not the tale for today.

I am of the Seven Hills, though I am kin with the people of the Dry Marshes, my mother’s mother, as Okadi over there will attest to, having hailed from the foothills. I am presently on a fool’s errand for my famous friend Alika of the Seven Hills. Perhaps you have heard tell of his exploits in the Two Markets War and the Taming of the Plain Lion?

I was sent to these foothills because of my bloodlines, for it is hoped that I can convince some of my grand sire’s kin to follow me back through the dreaded path to the hills, bringing the fabled northern ox with us. The ox is for Amaoge of the Shrines who Alika hopes to make his partner at the Festival of Bonding.

I will like to tell you a bit about Alika my friend whose tale this is. I would have loved to tell you of his exploits in the Two Markets War – assuming you have not heard hint of it, but we both know that will call for more palm wine than I can consume at this sitting.”

There was general laughter in the tavern as Obele lifted the fresh gourd and tapped the bottom to indicate its emptiness.

Another full gourd was brought over and Obele grasped it by the slender neck and took a swig, belching contentedly as he shifted his weight on his stool before resuming his tale where he left off.

“Alika, though undeniably the strongest man in the Hills, walked away from more battles than any other warrior in the Seven Hills, No, not for cowardice, but for lack of a worthy opponent and the unwillingness to inflict harm on a fellow human. The songs of the Hills have it that the most well kept secret of the Two Market War was the fact that Alika was actually coaxed to appear on the battle field by his mother with the solemn promise that he would not have to strike a blow if he did. Alika stood on the front lines of Umumba like Ala’s – the Earth God’s – wrath, trying his very best to look as mean as possible. Now, now, I am not trying to put wings to that story and I can only confirm that Alika shared two burly rams with me after that hardly fought battle, presents from the elders he said.

Yes, I assure you, even the elders agree, that had the Ezilo clan summoned enough will to strike out, they would have succeeded in hauling home the lone human head that would have given them the battle. But, the fear of the gentle giant Alika robbed them of a ready victory; they out-numbered Umumba three to one and owned the most feared war Ikenga (war totem) in the whole of the Seven Hills. And this is not summons to arms for you faint hearted Plains and River men, remember that Ezilo is of the Hills and we fight all outsiders together.

But I digress; I was talking about my friend not the war.

Alika is tall. This everyone agrees, the tallest man the Seven Hills have ever produced. You know we of the Hills are born tall, most crossing the six adult feet length. Alika stands above seven and has the mass of two Hill men without the fat of the Low Landers. He could easily lift ten times his body weight and till the fields at par with five strong workers combined.

Everyone also agreed that Alika is an asset to the seven hills and his height made him recognisable even in the crowded market. Women looked at him with doe eyes and men envied him, his mother could not have prayed for a better son.

All appeared well, but Alika nursed a secret pain.”

Obele paused, as if to gauge the extent of the crowd’s enthralment. He shook his head surreptitiously when he noticed that most of his audience had limp lower jaws, a good enough indication that they were paying him heed, so he smiled to himself and continued.

“You see, marriage in the hills is unlike those of the Low Lands and elsewhere. There, parents take pride in the fact that their children make the choice of a life partner on their own. We hill dwellers bond at late adolescence or early adulthood and most get married soon after that. Here lies Alika’s dilemma. Fear, fear for the weaker sex. Though strong and built like the ox of the northern plains, Alika gets queasy around women and finds it tasking to go beyond the first few words of pleasantries before his habitual stammer takes over. No, Alika does not naturally stutter, his affliction only occurs when a maiden’s smile lights up her beautiful eyes, and Alika is yet to meet a woman who does not smile at him.

Now, the time of bonding drew near and Alika’s soft heart had been seized by the medicine man’s beautiful daughter, Amoge. Who stands taller than her brothers and is widely known to shun womanly tasks, choosing instead the hazards of her uncle’s hunting lodge in the Twin Forests. No one knew what caught Alika’s attention but, I, Obele his bosom friend and confidant in many an adventure. I swear by the Thunder God’s Bellow that it had more to do with the fact that she is the only woman in the Seven Hills who can look Alika in the eye and hold his gaze, than the fact that her beauty makes even the old men dream of youth long spent.

Our Hill bonding ritual is done at the lesser market square away from the cradle of the elders, effectively hidden from the prying eyes of parents who are known to harbour prejudices, wanting to lift their families standing in the Hills with choice choosing. Before the day of bonding proper, a suitor is expected to secretly give his intended a gift known only to her. If she fancies him, she will in turn give him hers on the day of bonding.

Now, it is common occurrence for suitors to be led on and then dumped for another at the bonding, in the hills a woman’s pride is measured by how many suitor gifts adorn her mother’s hut before the bonding. The youths avoid this situation by seeking and getting assurances from an intended beforehand. This is done at the Iyi Ama stream where a promise given is broken only at ones peril.

It was exactly two moons short of the yam harvest, which leaves would be suitors another rodents gestation — about a full moon circle — to either get the promise at Iyi Ama or hope for any maiden left over from the choosing, not a suitable choice for the most feared warrior in the seven hills.

The day this particular adventure began was not remarkable in any way and I was busy cleaning new flute woods my master sourced from an antelope hunter in the Twin Forest.

Having eaten a stingy meal of roast locust and ncha – that is tapioca meal to you Low Landers, provided by my tutor’s wife whom he got at a good bargain from the river dwellers at his music’s prime. I was still feeling hungry and was about giving in to temptation and raid my other mother’s loft when a shadow fell across the stacked wood pieces in front of me. Startled, I almost jumped out of my skin but for that irritatingly familiar voice that reached my well-tuned ears.

‘Obele Okwu.’ Alika called out in that hoarse voice of his that always jangles my nerves, ‘are you scared of a harmless shadow?’

I looked at him for a bit, thinking up the best retort to counter his wit. I will also have you know that Alika is very quick with his tongue – at least when it is not a maiden he is addressing – and I always have to fight for words to keep him at bay.

‘And who would not jump back from a shadow without substance?’ I finally retorted, daring him with my eyes to contradict my postulation.

He looked at me for a long while, like when he is preparing for our speech battles that always seem to lift his spirits while leaving me drained. When I thought he was about to throw a hard counter at me he shifted his weight and sat down heavily on a disused mortar.

I noticed that Alika’s countenance fell with his decent and my concern leaped out with its customary swiftness.‘Brave warrior,’ I hailed, squatting on my heels beside him, ‘what draws twilights’ shadow across you brave heart?’

He looked down at me, a weary smile playing across his full lips as he swatted several of those tiny blood sucking insects that plague the Hills on his broad shoulders.

‘Obele,’ he called, looking me straight in the eyes.

‘I am here Alika, speak your ill.’

‘Obele, you know the day of bonding is upon us?’

‘Yes, I am aware.’ I replied, dreading he had gotten wind of my assent with his younger sister. An awkward situation I had hoped will only come to light after the bonding when he was forbidden by law to hurt an in-law. ‘What about it?’

He looked at me strangely for a moment, shook his head and asked, ‘do you not see any problem?’

‘No.’ I replied, with all the sincerity I could muster, my heart was then falling out of my mouth.

‘Obele Okwu.’ He said sadly. ‘I thought you knew me well and were a good friend.’ My heart was now held in my hands and threatening to slip.

‘But… but I am.’ I insisted. Flexing my leg muscles as adrenaline raced through my blood.

‘How then, Obele the bard, can you be my friend and not know that it is a few twilights to the night of bonding, and I, Alika of the songs has no promise and no mate?’ he bellowed, standing to his full height arms akimbo. “How then?” he added for emphasis, his voice a whisper, belying his earlier loudness.

‘OH!’ I exclaimed, my heart rushing back with a release that is as painful as the initial rush of blood.

‘Oh?’ he asked, stunned ‘oh? Is that all you have to contribute to this dilemma of mine?’

‘But Alika you are the last man I will expect to have that dilemma. All the girls want to be with you, even the married ones look at you with longing and I am sure it takes only the taboo to keep them from your hut.’

‘And?’ he asked, scowling down at me.

‘And you can have anyone you want.’

‘It’s not that easy,’

‘Not easy?’ I asked. It was my turn to be stunned ‘what do you mean not easy?’

‘Just that, or have you forgotten my difficulty?’ he asked sternly, glaring at me manically.

‘Oh, the difficulty,’

‘Yes, that difficulty.’

He glanced around; to ascertain if we were still alone. Spying my tutor’s foreign wife at the far end of the compound, he pulled me away towards the ill-used hunters’ path.


We walked in silence for a long while. Well, long enough for my acute ears to lose the sounds of the village until we finally arrived at the forked cross roads at the forest of Abam the smaller. Here, Alika crossed over to the wayfarer’s seat under the large wild looking Ugba tree that is rumoured to harbour the traveller’s goddess Ijedimma. Being a bard I considered myself more of a journey-man than a warrior I felt slightly slighted that Alika, a warrior, should be this free with Ijedimma’s domicile, I rushed to claim first place, managing to beat him by a hair’s breath.

He looked at me with forced tolerance and proceeded to drop the customary kola nut at the sacred tree’s foot. Not being of a priestly line like him I assumed a pious demeanour and nodded my head at the appropriate places and accepted the proffered kola nut. You know what kola does to a bards learning voice but then a little piece hardly makes a difference and it was shared by a friendly if not patron goddess. We did not sit there long before Alika told me that he was taking the left fork of the road, which lead to the Twin Forest.

Intrigued I asked him why he was going there. He looked at me with those big innocent eyes of his as if I had gone mad.

‘It is not just me who is going there, you are coming too.’

‘What! And when was that discussed?’

‘Just now, I am going to court Amaoge and I need you for moral support.’ He said casually.

‘Court Amaoge? And have you not being doing that a whole lot recently?’

‘What do you mean?’

‘Don’t play dumber Alika, everyone knows you like her,’ I replied, clinching my fist to stop from laughing at the horrified expression on his face. ‘And those late night vigils outside her homestead, the water fetching and barn making for her father are not hidden. What! Everyone is doing something for some girl’s family these days, even I spent the whole of last market day tiling your mother’s vegetable patch for Chi….eeh…’ I cut myself off hoping he had not caught the significance of my blunder, but one look at his smiling face and I knew that the harm had already been done.

‘Relax Obele, I know about you and my sister. I am not blind too; you two have always liked each other. We all knew it will lead to this.’

‘You knew?’ I said as my tongue found its rhythm. ‘And all these time I was scared you will kill me if you knew.’

‘Kill you? Far from it,’ he said, laughing hard. ‘That is why I brought you here; you are to repay the favour by helping me with Amaoge.’

My relief knew no bounds as my greatest fear faded away like a whiff of summer smoke, blown by the strong winds. I turned away from him, hiding the relief that flooded my face.

‘What do you want to do?’ I asked.

‘We go to her Uncle’s hunting lodge. I have a deer trap near the stream, I noticed fresh tracks there yesterday and I am sure it would have snared something now.’ He paused looked at me to ascertain if I am following him, I nodded my head once, yes. He continued. ‘If that trap fails we check my fish trap in the stream. Hopefully we go with one or both. Now I want to give her the gifts before her uncle know we are there, so I need you to distract him long enough for me to deposit it where she will find it later. Are you following? Now the tricky part is not giving her the gifts but holding my act long enough to ask her.’

‘Ask her what?’

‘Hey! Were you following anything I said? To ask her to be mine.’

‘Ok, I get it. But why don’t we just wait for her to come back home and give her these gifts at home?’

‘No, it is better done in the forest, that way if she rejects me it will be known to only three people, me, you and her. Same goes for if I make a mess of it.’ He concluded smugly.

I wanted to argue further, but I saw the sense in his reasoning and held my peace, though I was dying to ask him why he decided on non-conventional gifts when everyone else just got ornaments.

We took the left fork like he wanted and got to the stream at about midday. Now you know how dense the forest in the seven hills can be, especially at the peak of the rain season when the elephant grass is at its most luxuriant. Well, the trap was hidden by such a growth and my untrained bush eyes did not even realise we are in its vicinity until Alika exclaimed in unabashed horror.

Following his furious gaze I looked again and saw what was aggravating him, hidden by the grasses, lay the despoiled carcass of a rather large deer, its bowels had been ripped open and most of the meat chewed to the bone. What was left looked more like a bloodied mass of bone and cartilage attached to a strangely whole head, which still hung from the taut vine rope of Alika’s trap.

As we looked on, a young lioness strolled out of the grass with her brood, casually licking fresh blood from her jowls and growling contently as she strolled casually towards us. Some of her brood, wanting second helpings, trotted back to the carcass and tore off bits and pieces which they then fought over.

I know you will be dying to ask what we did in the face of that blatant theft. Well, being of the Hills, we are kin to the Lions of the Hills, for aside from being the totems of the Seven Hills, they are also bond to us by the blood pact our ancestors had with theirs, as such we expected them to protect our kill not use them for lunch. So it took all of my talking skill to talk Alika out of taking his own back from the lioness there and then, an action that would have brought on us the wrath of the Guardians of the caves that protect the Hill and its lions.

So, reluctantly and with great disappointment we left the trap and its ill-fated catch and made way to the stream where we hoped for better luck, leaving the young lioness rolling on the forest floor with her cubs. Apparently she needed the meal more than us, but that will not stop us taking the matter to the Guardians when all is said and done.

The stream – it is not known by any name not having the luck of being affiliated to any god or spirit – originates from the smallest of the Seven Hills and somehow manages to boycott the slopes that would have led to its capture by any of the other streams that flow into the great Nmamu River. It ends in the twin forests where it collects into a little lake called Nma (beautiful) for its collection of rainbow butterflies and bright plumaged birds. At the centre it is said to drain into an underground river and anyone caught in its swirl is lost forever, but the shallows are perfectly safe and the fishes large. It was there, at the shallows, that Alika had set his trap and as we approached, the splashing of a captured prey welcomed our wary eyes just as the water cooled our patched throats and insect gnawed upper bodies.

We did not immediately go to the trap but sat by the shore eating a meagre ration of dried nchi meat and trading banters on our extensive adventures, believing our catch is waiting for us and no harm will come to it, how wrong we were.

It was I who went to pull the trap from the lake. Not having much trap fishing experience, I wadded into the water that came to my knee. I did not think anything was amiss when I saw the black polished diamond glitter of the prey’s skin. Grabbing the tapered neck of the fish trap, I lifted it onto my back without looking and headed back to shore. I noted the heaviness of my burden and smiled, knowing that it meant a big catch.

I must have gotten very close to shore when Alika’s scream stopped me in my tracks. My heart wobbled and my knees knocked together as I looked up at and around, seeking the source of his distress. He was still where I left him only he was dancing around horrified, pointing toward me, gesturing and shouting incoherently.

I turned around, alarmed, but the water behind me was as still and the forest beyond held no trouble. Turning back to him I was about to tell him off for playing a loose joke on me when something slippery and wet brushed my shoulder. No, mind you, I was not spooked by it, not just then; I was more worried of the smell of the fish that may cling to my new shawl. So I lifted the trap off my back and manoeuvred it to my front with the intent of resting it on the soft shore sand so that I can wash the fishy water off my shoulder before it sticks and starts smelling. You can imagine my horror at the sight of the biggest water snake I had ever seen, staring at me with vexed eyes.”

There was a collective gasp from the audience at this point. Apparently everyone knew the potency of the water snake’s bite. Some even murmured that no one comes that close to a water snake and lives to tell the tale. If he heard these murmurs, Obele did not indicate, he only signalled to Okadi with his upheld flute that his gourd was empty before going right back to his tale.

“I do not know how I managed to throw the trap away before its poised head struck or how I managed the strength to throw it as far as I did, a feat, I tell you, even Alika envied, but I remembered vividly that it was fully out of the now broken trap and coming at me with blinding speed. I waited only long enough to note that I had underestimated its size initially and then my heels were touching my head. I caught up with and passed Alika, who was struggling to pull out our machetes from the solid grip of the clayey soil, without looking back, shouting at him that it is a venom thrower. He overtook me before I got to the bush path. We ran like mad for several stone throws. The venom thrower you see, is as aggressive as a woman in labour and will chase you for great distance if it feels you have hurt it greatly. We had by catching it in a trap, done more than hurt its bristly feelings. When we finally came to a heart shuddering halt and ascertained that it was no longer in pursuit, we picked a high branch to rest on, in case it was still bent on catching up with us.

I do not remember who it was or how the suggestion to use it in place of the fish as a gift for Amaoge came up, but we were both too scared and beat to go back to the lake just then. We were still resting on the branch when Amaoge and her uncle walked up to us from the direction we had come. It was my acute ears that heard rumour of their whispered conversation, I alerted Alika and we climbed down from our branch and stood by the path awaiting their coming.

Mazi Akani called out to us as they neared and we walked down to meet them.

Amaoge looked as stunning as ever and even the jungle tattoos on her person and the large basket she had on her head did not take anything away from her beauty. I almost envied Alika his choice.

She smiled at me and gave Alika an appraising gaze. As usual he averted his eyes and she smiled secretly at me. By thunder, I thought, she really likes him. If he can see her as clearly as I can we would not be thinking up all these schemes to win her love.

‘We caught us a large venom thrower.’ Mazi Akani, announced with pride, ‘it must have tired-out chasing after some prey and was resting when we came up to it, Amaoge here got it dead on the head with her bow from fifty paces out.’ The pride in his voice was evident even to a scowling Alika who shook his head warningly at me as I made to offer information on the dead snake.

I endured the secret humiliation of weighing the worth of venom thrower skin in the fashion market for the happy old man who looked on, pride dancing in his deep set eyes.

My congress with the old hunter gave Alika his time with Amaoge. Hell, they were walking behind me and Mazi Akani so I did not see anything or hear what was said. I only saw Amaoge saunter past us, a big smile on her face.

We did not follow them all the way to the hunting lodge but said our goodbyes at the next turning. Twilight was turning to darkness and I was itching to get home to my flute and leafy yam porridge. But no, Alika had not had enough of adventure, not that day, not ever. He said he had promised Amaoge an elephant tusk and a plains ox for her bonding if she will take him, now he is going to the eastern foothills to trap an elephant while I head home, get my gear and go to my grandmother’s people for an ox.

I thought him mad; I raved and ranted, telling him that a woman who loved you will not make you go to such extremes.

He only smiled his eyes far away.

‘Obele,’ he said, ‘she accepted me before I made the promises, and I want her to have the greatest bonding gift ever seen in the seven hills. You are my friend and in-law, ok, ok, would be in-law, get the ox for me and you will have my gratitude for ever. There might even be an elephant tusk for Chiwendu. Think what that will mean.’

That got me, what! I never said I was not weak in the knees when the fair sex is concerned.


Well, I got home that day when the hyena’s laugh began in the valley and left with the first embers of that day’s sun.

As for Alika, I do not know, I left him at the cross roads arranging poles he had hacked in the forest, preparing for his long trek east where the wild elephants hold sway. So by now he is gone to the eastern foothills to trap an elephant while I go to my grandmother’s people for an ox. Yet knowing him and his hunting luck, he might be back in the Seven Hills already, waiting for me to show up.

I am yet to get a cattle man brave enough to take the route to the hills this rainy season, even with my promise of protecting them from our guardians, as I do not possess the skills to herd that fierce species. Time is passing and I cannot go back empty handed and my own bond waits.”

There was a deep silence when Obele stopped talking, even a silent fart would have been too loud in the ensuing silence. All eyes were on Obele, following his every move. Like a charmer who knew he has entranced a prey, Obele slowly pulled out his flute and lifted it to his lips. He blew a blast that seemed to convey all his frustrations, before finding a sorrowful tune. Still playing his drink induced tune, he stood up gingerly on his feet and danced a little jig even as he swayed from side to side, pushed by the alcohol in his system. Buoyed up by the drink, his dance became more dramatic and his flute changed tune, becoming more soul lifting as he moved from one end of the tavern to the other. Soon enough people, who had had the mind to ask Obele to continue his story, forgot their interest as the music swept every one up again.

The flute music drifted through the night air, reaching the river harbour where a Northlander, struggling with the worn shoes of his fierce looking horse, paused for a long while to savour the sound of the flute. Even though the tune sounded foreign to him, he still felt enough of the music to conclude that whoever was playing that tune was a masterful musician. He suddenly felt the need to hurry; something told him that he should go seek out the musician whose flute has so stirred his soul. The laugh of a lone hyena echoed in the distant marshes as he hurried towards the tavern, where the sound of a raunchy chorus flitted through the night air to spur him on. He knew he was going to meet fate, but what that fate had in store will be told in another tale...


That is the story of how Alika and Obele Okwu set out from the hills on what he (obele) termed a fool’s errand. My source told me that by the time he left the night market at Alor which, according to him and accented to by all his brother scribes, was a full week after the drink induced tale by Obele Okwu, he was still searching for that brave trader that will either go with him to his tribal lands or teach him on short notice how to drive the fiery bulls to the hills.

Since none of this group of oral scribes returned to the lowlands or the hills I have sought and gotten information of a traveller who has in his possession goat-hide scrolls said to contain scribbling of songs by Obele Okwu the great. I am positive that they contain details of his adventures.

I go to seek him tomorrow and will return only when I have them in my possession.


-D’lameone 5520 A.M. (After the Mirror’s Fall)




Alika's Dilemma was written by Fredrick C. Nwonwu and is an excerpt from a forthcoming book Tales from the Seven Hills.

Copyright © Fredrick C. Nwonwu 2010.



Fredrick. C. Nwonwu is a creative writer based in Lagos Nigeria; he experimented with poetry, scripts, short stories, report writing and other genres before deciding his mainstay is prose.His works have appeared in various mainstream writer's sites and the anthology A generation defining itself.

He is presently earning a living from his other love, article writing, while taking as much time as possible to add pages to his novel in progress Rivers of Blood and a collection of related short stories Tales from the Seven Hills.

Fred believes his writing speaks for him, since he is very shy and usually has very little to say when in the midst of strangers.





 
StoryTime: Weekly Fiction by African Writers.
All works published in StoryTime are
Copyrighted ©.
All rights reserved.