28 June 2009

The Guitar by Kingwa Kamencu

“Anita will you quit going on and on with that thing, you’re driving us crazy down here,” Anita’s mother yelled from downstairs.

“It’s not ‘going on and on’ mum, I’m just practicing on my guitar,” Anita shot back.

“Well stop it, its driving us nuts with all that noise you’re making. Give it a rest and read a book or something.”

“And don’t talk back to mum,” her elder brother Mugo joined in.

Anita rolled her eyes in exasperation. Honestly! She never had any peace at home; her guitar was one of the main reasons. Anita was a second year music student at the local university, a subject and possible career choice her mother had never approved of. Her mother who had in her younger days had lacked fees to finish her high school education and become the doctor she had dreamed of being, had tried to transfer her aspirations to her daughter. Anita however had no inclinations towards that sort of thing. In high school she had tried to read, make good grades and please her mother but try as she might she never excelled in class and was something of an average student. In music however, she had always excelled and had won numerous trophies, awards and certificates from National School, Drama and Music festivals. Her results after high school had curiously coincided with her passion. She had been eligible to do nothing else but music, which she was now pursuing. Her mother had not been amused by this and up to now, hoped it was a passing fancy and that Anita would later see the wisdom of what she called a ‘serious profession’.

“You and that wood, you carry all over! Just where do you think it will take you? The only people I see with guitars are beggars on the streets singing for money. Is that how you want to end up? Why cant you be a nice normal girl like everyone else and move to something serious like medicine, law or accounts?” she’d often ask, genuinely puzzled.

“I’m not everyone else mum,” Anita would invariably reply, “I like my guitar just fine.”

Her brother Mugo would also join in the fray, “Anita, you waste so much time on music and your instruments. Don’t you get it? Music is dead end in this country. You should change to something more stable and professional, there’s still time.”

And what; become like you? Anita would think acidly. Mugo was 10 years older than her, had a Bachelors of commerce and an M.B.A to his name but no job to show for it. He stayed at home all day reading fat Sidney Sheldon novels. Anita thought he had gotten too used to toeing the line and following the orders their bossy mother set that when left alone he was lost and lacking in initiative.
He’ll only get a job if his mother orders him to, Anita thought morosely; No way am I ending up like that!

Anita on the other hand considered herself something of a rebel, the black sheep in the house. Her mother by know had gotten used to the fact that she did as she pleased, though it irked her to no end.

“I’ll never understand you Anita, you are too stubborn, hard hearted and self-centred, and you never listen to anyone. God only knows what will become of you.

These barbs fortunately never got to Anita’s thick skin. Whatever! She’d think and turn back to her guitar.

Mother and son ganged up against her on occasion but on her side there was always her father. She smiled to think of him. He was the only one who did not pester her about her career choice and her future plans. If anything he took an avid interest in her music and encouraged her to go farther.

“And how’s my little songbird today?” he’d usually say smiling, when he got home and found her in. This was before he had been laid off his job as a sales representative at a publishing house.

Anita now picked up her guitar, carefully placed it in its case, slung it over her shoulder and trooped out, headed for the local theatre grounds where she could play and sing in peace.

“Gone to the theatre,” she yelled as she slammed the door.


At the theatre was the usual crowd; the dreadlocked acrobats limbering up in one corner, the traditional drummers energetically pounding on their Isukuti drums, a motley of actors rehearsing their lines and a small accapella group doing a ‘Malaika’ rendition.

Must be a show going on inside, she thought noting the banners draped at the entrance of the theatre hall and the closed doors.

She sat under a tree shade, unpacked her guitar and began strumming a few chords.

“I wanna be free, free to be me

I wanna be free, to do what I see

I wanna be free and be the best I can be,

While I’m free being me...”

She sang, the words coming out unbidden. Hey that’s a good tune, she thought, grabbing a notebook and pen, jotting the words and tune down. She tried out a few more notes and added words to the tune which she again noted down. She liked to strum and come up with words along the way, composing little tunes just for fun. She now played out the whole song, shutting her eyes and moving her body to the tune. She was surprised to hear a patter of handclaps when she had ended and quickly opened her eyes to look round. It was the rehearsing actors group that had joined her under the shade.

“Too deadly,” one of them pronounced. He was leaning against the tree smoking a joint of sickly smelling marijuana.

“Yeah, super,” one of the girls agreed, “I wish I could sing like that,”

“I wish I could play like that,” one of the guys chimed in. “Where did you learn?”

Anita glowed in pleasure. She’d played around the theatre before and been applauded but it still felt great to hear the praise. She rarely got it from home anyway.

“Whiskey taught me,” she told them. “I heard him play once, about last year and thought I could learn too.”

“Well you’re good,” one of them said. “Perhaps you should enter the Beats of the Times competition. You just might do well and even get recorded.”

Anita basked in the praise.

“Yeah maybe I will,” she said, she had seen the posters announcing it. “But registration is rather expensive and I don’t know if I can afford it right now.” She changed the subject. “Have you seen Whiskey around?”

They guffawed. “Not today, he’s probably nursing yesterday’s hangover at home.”

Anita smiled. She knew Whiskey well enough to know that it could be true. He loved drinking spirits and she suspected he was an incorrigible alcoholic although he always swore he could quit any time he wanted to. Out of his love especially for whisky, the theatre fraternity had nicknamed him Whiskey. She had met him at the theatre a year back when she was in her first year. A group of friends and she had come to audition at the theatre. She had been auditioning as a singer for a musical play. Whisky had been the guitarist accompanying the singers. She remembered how he’d strummed expertly along as she sang Brenda Fassie’s ‘Thola Amadlozi’. It had sounded good even to her ears; she’d been picked as a singer for the play automatically. From then on she’d taken a keen interest in learning to play the guitar.

She’d scrimped and saved all her pocket money the first semester at college, even working nights at a fast food restaurant to buy the guitar. New, good quality guitars did not come cheap. At the time her father had been retrenched from a governmental job and had not yet gotten his recent one. She knew he was cash strapped and had chosen not to broach the subject of her needing a guitar. He would have felt worse knowing that he couldn’t afford it.

“Speaking of whiskey, we’re going to the Sunset Grill for a drink, want to join us?”

The marijuana smoking guy now invited.

“No, I’m waiting for someone here, thanks.”

“Well good luck and get yourself money and register for that contest, ok? It could take you places, there’s not much openings for musicians like you; you’ve gotta grab at your chances.”

As they left, she remained seated, mulling at the actors words. It was true that pursuing music as she was, there were very few openings in the job market. Her mother constantly reminded her of this. But she had no other option, music was like her life. She knew she’d feel like a fish out of water doing anything else. Time was ticking. In less than two years, she’d be out of school and would have to begin to fend for herself. She did not want to become like her brother Mugo and become dependent on her parents. Besides of which she knew she’d never hear the last of it from her mother.

“I’m going to get that money and register, and I’m going to practice like mad and win me that competition.” She suddenly said resolutely and jumped to her feet. She approached the notice board and keenly studied the poster on it.

The registration fee was rather high she thought, her confidence beginning to seep out of her. But wait, if I bought myself this guitar, I’ll get this money too.
She suddenly noticed someone behind her. It was Whiskey.

“Niaje, mrembo,” he greeted her.

His eyes were bloodshot; he had the same scruffy yet strangely dignified air about him. Whiskey was tall and emaciated. His drinking habit and less obvious drug habit had wasted him and his talent, just as it had done many other promising artists at the theatre. He was 35 years old and survived on tips he got from patrons at a local bar where he performed when he was sober. Anita considered him her mentor. Despite his drug and drink habit, he was a kind person at heart.

“Hi Whiskey, things are thick. I need to come up with this money within 5 weeks to register and perform,” the words rolled out of her mouth.

“Tell your dad or your mum,” he said nonchalantly.

She made a face. “Dad can not afford this kind of thing. I don’t think he’d be able to come up with this much. And I don’t want to get him stressed and feeling bad about it if I ask him and he can’t help. Asking mum is so out of the question. You know how she feels about my music. In fact she’d only start to remind me how I’ll be a burden to them and how I’ll go nowhere with my life,”

Whiskey nodded. He knew about the situation.

“Don’t worry, it’ll work out,” he said.

Anita nodded morosely and left the theatre, her mind on the huge task ahead of her.


By a week to the registrations deadline, Anita had only come up with slightly over half the amount that was required. She had gone back to her job at the fast food restaurant where she waited on tables.

Thank God I’m on holiday, she thought. If it was in school term I’d definitely be in a fix.

She worked long hours, sometimes doing double shifts and only having a few hours to rush to the theatre daily for practice with Whiskey.

On the very last day to the event, she stood in her bedroom counting up the money she’d managed to get together. She held her breathe as she counted. Rats! It didn’t add up. She was still a couple of thousand shillings short. Mugo peered into the room.

“Hey, been robbing a bank?” he asked, watching her count the notes on the table.

“No, this is what I’ve been saving to register for the Beats of the Times competition and it’s nowhere near what I need. The performance day is tomorrow, I don’t have the money and I’ve been practicing so hard!” she wailed.

Ordinarily she would have ignored him and wouldn’t have let him in on what she was doing but she was now at a point of desperation. It wouldn’t hurt anyway, she was sure she had no chance now.

“So you really were serious then? I almost didn’t believe you the first time you said it.”

She glared at him balefully.

“So how much more do you need?”

“Not that it’s any of your business but I’m short of 5,000 bob.”

“Don’t worry you’ll get it,” he said comfortingly as he left the room.

Smart ass! She thought her eyes following him. She pushed thoughts of him out of her head and flopped face down on her bed; she wanted to wallow in her misery the rest of the evening. It seemed she would have to forego the event and wait for the next three years to enter it again and endure her mother’s barbs and snide remarks till then. By then she would have been through with college and it was uncertain if she would get a professional job in the music industry. Such were rare to come by.


The next morning she woke up at mid day. She was usually up by 8am but on that day had thought it useless to get up. She needn’t do any practice on her guitar seeing as she wouldn’t be entering the competition. She shuffled sleepily towards the door, still in her pyjamas. As she opened her door, she noticed that she had to give it a harder tug than usual to open. She looked down and at her feet lay a white envelope which had been slipped under the door. Anita picked it up curiously and opened it. Inside were crisp new notes. She looked at envelope again, rubbing her eyes to be sure what she was seeing was real. She carefully counted the notes inside, not daring to breathe. It was 5,000 shillings, she realised with a jolt. Just what I need to get through registration! She guessed who it was; it was rather obvious. She had told no one else but Mugo about it. Idly she wondered where he’d gotten the money from, he not working and all but her thoughts raced on to more important things. She let out an excited yelp and raced to her wardrobe, throwing on jeans and a t-shirt as she slung her guitar over her shoulder and tore out of the house. She had the event of her life to arrive at.


The Carnivore grounds were brimming with activity. Aspiring musicians, already established ones, fans, and interested observers thronged the concert hall. The panel of judges at the front consisted of people from the ministry of culture and some of the few prominent local musicians in the country. It was now 3pm in the afternoon. Anita sat huddled in the audience among Whiskey and a couple of people she knew from the theatre. They had cheered when she had raced in two hours ago, just in time to register. On stage now was an accapella group; they were singing ‘Tausi’ a local song and had powerful voices that blended together well. Everyone who had been on stage had been superb according to Anita.

She nervously bit her lip.

“Maybe I should wait till the next time, right Whis? Maybe I haven’t practiced as hard as I could. I’ll just go down there and ask them to give me my money back and…” she was saying as she rose, only to be pulled back to her seat.

“Don’t be silly. These people are good but they shouldn’t scare you. Don’t be a wimp, just try and give it your best. You’re a marvel with your guitar.” Whiskey told her.

The crowd was now enthusiastically clapping at the departing group and Anita realised with a sinking feeling that it was her turn.

“Oh my God, I can’t do this, I can’t,” she whispered to Whiskey terrified, her feet were jelly, they wouldn’t support her.

“Go, they’re waiting for you,” one of the actors said, shoving her to her feet and towards the stage. “Break a leg!”

The master of ceremony was winding his long drawn out speech and was now coming to announcing the winners. Anita sat still; number 3 was called out, number 2, number 1 but she didn’t hear her name mentioned. Whiskey patted her arm in consolation as she smiled wryly.

Who was I kidding anyway? I shouldn’t have convinced myself I was so hot, she thought. Now mum will have the last laugh and I’ll have to agree to do something else after college, probably accounting and I’ll end up...

The master of ceremony spoke up again intruding on her thoughts.

“But that is not all ladies and gentlemen. Our last category is that of ‘Most Promising Artist of the Times’. It’s a prize of 100,000 shillings and an opportunity to get recorded by Sauti Shwari recording studio’s. And the winner is Anita Macharia!”

The crowd roared its approval in the thunderous handclaps that followed.

“It’s you silly,” Whiskey elbowed her, her actor friend standing up to pull her to her feet for the second time that night.

Dazed, Anita stood up and walked towards the podium, oblivious to the dazzling lights and the roar of the crowd as she received her award. She was only aware of a warm feeling that reverberated from within her and spread all round her body.


Whiskey and their theatre friends hugged her enthusiastically when she joined them and they trooped out of the concert hall in high spirits after Anita had been directed where she would get more information about her prize.

“Let’s go have a drink and celebrate! We have with us the next big thing in Africa man. Anita Macharia!”

“Thanks guys, thank you so much. But not right now. I have to go and tell my brother and my folks about all this.” She stopped short, swinging the guitar to her front and stroking it lovingly.

“Oh man, this baby and I are going places!”



The Guitar was written by Kingwa Kamencu.

Copyright Kingwa Kamencu 2009.



Kingwa is a creative writer, journalist, scholar and poet based in Kenya. She believes in the power of words and expression to bring down the barriers of middle class insensibilities and phoniness, to break out of boxed conformity and for groups to collectively reach to a higher calling. Currently she is thinking about how literature can be used to bring revolutions in Africa where new ways of thinking are sorely needed.

In 2007 she won the Jomo Kenyatta Prize for Literature (Youth fiction category) for her book To Grasp at a Star which was also second runners up for the 2006 Wahome Mutahi Literary Prize and first runners up in the 2003 National Book Development Council of Kenya Literary Award. She has also published a short story 'The Cost' in the 2008 Caine Prize anthology The Jambula Tree and others online such as on storymoja. She has read and performed her poetry at Kwani Open Mic, Makerere university, University of Nairobi, AMKA and Utenzi among other places.

Her road to writing has been smooth and without fuss, she discovered early in life that there she would rather do nothing but write. And think. And help create revolutions. She has written numerous short stories and poems and performed them in Kenya and Uganda. She is currently completing a novel which she has been lucky to do as her M.A project. She is deputy secretary general of International PEN- Kenya Chapter and a board member of Wajibu social journal. She has written short stories, literary reviews and feature articles for The Standard, The People, and The Nation newspapers as well as African Women and Child Feature Sevices, Expression Today (ET) and Storymoja Africa. Her work is also featured in upcoming publications of Sable Lit mag (UK) and FEMRITE (Uganda). She was a writer in residence in the 2008 Femrite Regional Women Writers Residence in Uganda and a participant of the 2008 Caine Prize writers workshop in South Africa. She is a nominee of the Rhodes Scholarship to Oxford university where she will be going to pursue an MSc.in African Studies from October 2009. She is currently completing an M.A in Literature from the University of Nairobi.







20 June 2009

Flight from Ethiopia by Afric McGlinchey

Tesfay Jidibi (not his real name) is a refugee from Addis Ababa in Ethiopia. A quiet-spoken, light-skinned, gentle man, he was imprisoned in his own country because his father was Eritrean, and he was accused of being a spy during the war with that country. When he escaped to Ireland, he was granted refugee status, and his wife was granted permission, under the family reunification programme, to join him. They are now waiting for their two children to follow. When we met, he was accompanied by his wife, who does not speak English at all.

I was born and brought up in the capital city, Addis Abbaba, in the central part of Ethiopia. It is not a modern city, but it’s big. My father was a businessman. I had three brothers and four sisters. My mother was at home. After school, I did mechanical engineering at university. My father and mother have both died now.

I met Eshetu (not her real name) about 12 years ago. We were neighbours. She was also born in Addis Abba. She has four sisters, one brother. Her father was a driver.

It is tradition to ask the parents for permission to marry first. If they allow it, then you can get married. We come from the same tribe. We are both Eritrean. Our fathers, both of them, are Eritrean. So her father was happy for her to marry me.

Eshetu was a student in high school when we met. We went out for about six months when we got married. We had a small registry wedding. We just collected our friends and went. Now we have two children, Leron and Yortons (not their real names) aged 10 and 12. I am 33 now. Eshetu is 39.

We were Orthodox Christian, but now we’ve converted to Jehovah’s Witnesses. After my mother died, somebody came to my house, and they witnessed for me. So we became Jehovah Witnesses.

What was life like in Ethiopia?


Well, there was a lot of war. The rulers were not good. They are bad. A lot of people are dying. There are a lot of clashes with the ruling parties. Like last week, many people died between police and the opposition. The prime minister wasn’t elected. He came from the bush, and overthrew the government. I can say now that everyone is against this government. He uses the divide and rule system. Now actually it’s not a tribal conflict. People don’t want to be divided. They want to be united. There are so many different tribes in the country, but the rulers represent only one tribe. So everything, the big jobs, everything is only for his tribe. That is why there is so much opposition.

For me, I’ve got a problem with the existing government. As I’ve told you, the leader represents one tribe, called Tigreans. So for my wife and I, being Eritrean on one side, it’s a problem. I don’t know if you know this, but they deported all Eritreans from Ethiopia in 1998/9. There was a mass deportation. I was actually imprisoned. They said I was spying for the Eritrean government. I was in jail for three years. They were very bad to me. There was a lot of torture. No food. I stayed in the darkness, solitary confinement. There were a lot of problems.

I used to have my own business, actually. First I was working in a government office. At one time my government bought machinery from Germany, so I went there to buy them. Also to India.

When this government came, they removed us from these posts, so I tried to build my own business. Then my business was taken by the government. They came to my working place and arrested me for spying, saying I was putting the country in danger.

As soon as they arrested me, they closed our residence, and also threatened Eshetu with arrest. So she went into hiding. She gave the children to relatives. She went to a family friend. They have a hotel. For me I had friends who waited for me. They paid a lot of money. They know that I’m not allowed to stay in the country. So that’s how you find me here.

I didn’t know where I was going. Only the man who brought me knew.

Did you know anything about Ireland?

I had heard about Ireland. In fact, Ireland is one of the countries that help us in our country. You have Catholic nuns and priests from Ireland who help us in Ethiopia. So I arrived in Dublin, and the man showed me the place where I should go. I went to register as an asylum seeker. They asked me why I came here, and who brought me here, and what happened to me in my country. Now I have refugee status. It took about two years. Eshetu has been here now for five months. She can’t speak too much English yet.

What cultural differences have you noticed here?

Ireland is nice. But for Eshetu, there are many things to adapt to. She says, starting from the way they dress here, it’s different. In Ethiopia, they dress like this, the western way, but do not expose the skin. It is good in our culture to be modest. You know, in the cities, it’s the same as here. But we have our traditional clothes too, which are long. So in many places, people don’t like to be exposed. Also the way they take care of their children is different. In Ethiopia, the mothers carry them on their backs. Here, mothers put them in prams.

We gather together in our houses. Some people have very good houses. But in most cases, the common people have houses made with mud. Some are round, some square. In the city, the houses are square. In the country, they are round. The roof, in the country, they are using grass or corrugated tin.

Also, in our country, we eat outside.

We have grain, which I haven’t seen in other parts of the world. Not maize. We have seen many grains here, but not our grain. It’s called teff. You cannot find it in any other part of the world. Teff is like flour. You grind it to a flour. You mix it with water, leave it for a few days, then after that you bake. So, it’s like chapatti. We also usually eat a lot of meat, milk, potatoes, spaghetti, pasta. So these things are the same.

But we don’t have many supermarkets, except maybe in the centre of the city. Otherwise we have a lot of open markets.

Also socially, it’s different. In Africa, the way people live is so different. In our place, at least once a day, your neighbours gather together for tea, or coffee. If a newcomer becomes a neighbour, you invite him in, introduce yourself. But here, you always lock your home. Otherwise people here are fine, they’re ok.

But the system is everyone here is rushing, working, then when they come back home they have things to do, homework. So there’s no time for other people. We have some Ethiopian friends, not in Cork but in Tralee. Sometimes we go there to see them, or they come here.

What is the language you speak?

Amharic. We don’t use the English alphabet. We have our own.

Do you miss Ethiopia?

I miss my country very much. I had a very happy life in my country until the bad time came. You can’t enjoy Europe like you can enjoy your own country. The natural weather, natural places.

Was there a problem with droughts?

Droughts are a big problem. You know, one time we were called the breadbasket of Africa. Even now, if you go to Ethiopia, out of all of Africa, it ‘s the place where you can live cheaply. If you have €100 for a month, it’s a medium class salary, for a family with two children. So it’s a very cheap place to live. Actually, I will tell you one thing. When this trouble with the drought came, for us who are living in the city, we don’t know what is happening. I only heard about that when I go outside my country. So this place of drought is in the northern place, very far from the centre. The people in the centre and south are enjoying food while the north are starving. So maybe it is one or two provinces where people are starving. It’s not everywhere, only a very limited place. Out of 14 provinces, only two provinces were affected, where a lot of people died.

People associate Ethiopia with starvation and drought and conflicts. What would you like others to know about your country?


There are so many big things people should know about Ethiopia, besides drought. Archaeologists found the remains of the first man, in Ethiopia*. We also have a lot of monuments, which were built in the 12th century. They are very beautiful. Former kings built them. Ethiopia used to be a kingdom in former times. King Solomon ruled that kingdom. You find it written about in the bible.

Do you have any traditional rituals?

Our people are mostly Orthodox Christians. So according to that religion you have to be circumcised when you are a baby, soon after you are born. But, nowadays especially, girls are not circumcised. Before, they were.

I ask Eshetu, via Tesfay, if she is circumcised. She says, ‘I don’t know.’ She says they don’t talk about such things, that they do it when you are a baby. So you can’t remember. She is shocked that I asked such a question, so I refrain from asking if their daughters are circumcised, out of respect.

Do you feel you will settle here?

I want to make my life here, because it is Ireland who gave us permission to stay. And we are safe here. The way the people are, is good. Also we are really happy that the government accepted us. When I came here, I contacted a friend, who found Eshetu for me. For three years, she didn’t know where I was. But she could come here under the family reunification programme. The children are still there. Now we are trying to process the application for them.

There were a lot of inconveniences for Eshetu to come here. She had to be careful. I wanted her to come here safely, not to get into trouble. I wanted to get her here first. Once she arrived safely, then we could start preparing for the children to come.

I am stateless now. I don’t know Eritrea. My father was from there, and that’s why the government said I am Eritrean. But it means nothing to me. My mother is Ethiopian.

(Eshetu leans forward and whispers to Tesfay.)

Eshetu is reminding me that our calendar is different. We are maybe eight years behind you. It’s like the Jewish year, maybe. Or the Russian. I don’t know. Even the days are different.

If a good government comes to Ethiopia, maybe we’ll go back. But otherwise it’s good to be here.

Have you experienced any racism here?

Eshetu says some people are good, some are not. She has had some problems. She doesn’t want to mention it here, but she has experienced some bad things with men. They ask here where she is from and when she says Ethiopia, they say, ‘very poor, oh, very poor.’ So for a newcomer like her, it’s a bit shocking. Because from our culture and our tradition, we don’t approach people that way. We never say anything about whether they are poor or rich.

Sometimes I hear racist things, but for me I don’t feel it, because I’ve seen many things. Sometimes, some people say, ’why don’t you go back to your own country?’ That’s happened two, three, four times.’ But I don’t feel it. It’s everywhere in the world.

For me, what I find difficult is the weather. The weather is very hard.

We have our own place now. We have Irish friends. Regarding people, they are good in my place.

Now I’m studying. I’ve had a problem getting a job. They like my experience, but they don’t accept my qualifications. So I need to get Irish qualifications.

What is your dream for the future?

To live safely.


*In 1974, an almost complete hominid skeleton was discovered by Donald Johansen in Hagar, in the Anakin region of Northern Ethiopia. The skeleton, named Lucy after the song ‘Lucy in the Sky with Diamonds’, turned out to be 3.5 million years old.


***


Formerly known as Abyssinia, Ethiopia is the oldest independent country in Africa. It has a cultural, historical and linguistic identity quite distinct from that of the rest of Africa, largely because it has spent long periods of its history in virtual isolation. Unique among African countries, the ancient Ethiopian monarchy maintained its freedom from colonial rule, with the exception of the 1936-41 Italian occupation, during World War II.

In 1974 a military junta, the Derg, deposed Emperor Haile Selassie (who had ruled since 1930) and established a socialist state. Torn by bloody coups, uprisings, wide-scale drought, and massive refugee problems, the regime was finally toppled in 1991 by a coalition of rebel forces, the Ethiopian People's Revolutionary Democratic Front (EPRDF). A constitution was adopted in 1994 and Ethiopia's first multiparty elections were held in 1995.

Ethiopia’s entire coastline along the Red Sea was lost with the de jure independence of Eritrea on 24 May 1993. Ethiopia’s landlocked state has obliged the country to use the ports of Assab and Massawa in Eritrea and the port of Djibouti. Following the secession of Eritrea, Ethiopian naval facilities remained in Eritrean possession.

A two and a half year border war with Eritrea ended with a peace treaty on 12 December 2000. Eritrea and Ethiopia agreed to abide by the 2002 Eritrea-Ethiopia Boundary Commission's (EEBC) delimitation decision, but despite international intervention, mutual animosities, accusations and armed posturing prevail, preventing demarcation; Ethiopia refuses to withdraw to the delimited boundary until technical errors made by the EEBC that ignored "human geography" are addressed.

Ethiopia's poverty-stricken economy is based on agriculture, accounting for half of GDP, 60% of exports, and 80% of total employment. Three major crops are believed to have originated in Ethiopia: coffee, grain sorghum, and castor bean.

The war with Eritrea from 1998 to 2000 and recurrent drought have rocked the economy, in particular its crucial coffee production. In November 2001, Ethiopia qualified for debt relief from the Highly Indebted Poor Countries (HIPC) initiative. Under Ethiopia's land tenure system, the government owns all land and provides long-term leases to the tenants; the system continues to hamper growth in the industrial sector, as entrepreneurs are unable to use land as collateral for loans.

The central highlands are volcanic, forming a dramatic landscape bisected by the rift Valley. There are four major river systems, one being the Blue Nile. Far from being an endless desert, as the west perceives it to be, the southern and western highlands of Ethiopia boast extensive forests

The tribal breakdown is as follows: Oromo 40%, Amhara and Tigre 32%, Sidamo 9%, Shankella 6%, Somali 6%, Afar 4%, Gurage 2%, other 1%.

Ethiopia is the third most populated country in Africa, exceeded only by Egypt and Nigeria, with a population of between 50 and 60 million. Around seventy languages are spoken, the most predominant one being Amharic. Others include Tigrinya, Oromigna, Guaragigna, Somali, Arabic, and other local languages. English is the major foreign language taught in schools.

There are 132,000 refugees from Eritrea as a result of the border war with Eritrea from 1998-2000 and ethnic clashes in Gambela. 93,032 Sudanese and 23,578 Somalian refugees have also been recorded.


Sources: BBC World, CIA Factbook, and World Almanac



· · · — — — · · ·


Flight from Ethiopia was written by Afric McGlinchey.

Copyright Afric McGlinchey 2009.



Afric McGlinchey was born in Ireland, but as her father was a nomadic adventure-seeker, she was dragged, along with the rest of her family, to Zambia at the age of five.

There, she discovered light, colour and space which led to her own adventures, both artistically and in the bush. She put pen to paper at the age of ten, writing her first play.

Later, she moved to Zimbabwe and revelled in the liberation of the eighties, which brought so many changes to the country. She began writing poetry, and studied journalism at Rhodes University in South Africa before going on to the University of Cape Town to do an honours degree in English.

All this exposure to the written word led to her becoming a journalist, editor, copywriter and teacher over time. Afric has also produced three works of non-fiction, and has just completed her first novel. Publishers may form an orderly queue right here...

She has also lived in Paris, London and Spain, and random jobs have included EFL teaching, selling her photographs in the market, busking, selling encyclopedias and working as a waitress. For a while she was married, had kids, and lived on a farm in Hwedza, writing to stave off impending insanity. She now lives in Ireland with her son. Her daughter has returned to Zimbabwe.


Through Ireland’s Revolving Door records the stories of immigrants who have moved to Ireland over the last decade, and those who are now leaving as a result of the recession. Some chapters can be read on her blogspot, Comings & Goings -Through Ireland's Revolving Door.







19 June 2009

Moon of Memories by Emmanuel Sigauke

When my brother Ranga and his wife arrived on Sunday, they roused the village with their car, which bounced as it entered the compound and came to a dignified stop in the shade of our Muzeze tree. A car in our home! Mai and I would have embraced and patted it, but, as the villagers began to arrive, we rushed to greet its owners first. Ranga walked hesitantly as if he was lost, grinning and staring at everyone stolidly, mumbling his greetings. I had expected him to act differently, but not to mumble like exile had stolen his Karanga...




This story has been selected for the StoryTime anthology African Roar, please go to the African Roar site for more info on the book.



Moon of Memories was written by Emmanuel Sigauke.

Copyright Emmanuel Sigauke 2009.



Emmanuel Sigauke grew up in Zimbabwe, where he studied English and Linguistics at the University of Zimbabwe.

He helped found the Zimbabwe Budding Writers Association, for which he served as National Secretary from 1992 to 1995.

He moved to California in 1996 and studied English at Sacramento State University. He teaches composition and writing at Cosumnes River College and is one of the editors of Cosumnes River Journal.

His poetry has appeared in various journals in Zimbabwe, Finland, United States and Ireland, and he is the editor of Munyori Poetry Journal. He is also a member of the Sacramento Poetry Board and a book reviewer for Poetry Now, a publication of the Sacramento Poetry Center.



18 June 2009

The Photograph by Beaven Tapureta

He loved. No, he adored, his home country of Mozambique. His wife and his three little children. Abraham the first-born boy with whom he explored the hills and mountains surrounding drought prone Sofia village for palatable game.

Remembrance now thinned him like a toxin. The South African orange shadow peeped through the window as if asking him, “How is it there?” He looked around the house, eyes squinting. The photograph of Abraham his son. He knew it was somewhere in the house. Behind him, the mattress lay on its side against the wall, his Mozambican national identity card and all things which were stashed underneath it messed the floor. All his bags and files were rifled of their contents and lay everywhere like different birds brought down by the shock of a single gunshot. The photo. It’s been months since he last looked at his son’s smiling portrait. The long face which had between the eyes a frown of internal anger, of pain, of dreams and hope. A close-up revealing the fine features of a promising boyhood which now he as a father cannot witness its growth or its joy or sadness.

It had happened rapidly like a powerful spell that swept him towards the borders of his country and he found himself fence-jumping into the far neighbouring greener pasture. The split tore his family’s heart to pieces, but they had to let him go as he was the bread winner. And she took away the children to her family in the village, promising she would wait for him until he comes back from beyond the horizon.

He looked out through the window and tried to remember again where the photo could have disappeared. Days and nights after coming from the King’s Restaurant where he worked as a cleaner the photo saved him from certain mental collapse. A memoir. It was the only thing that reminded him of some special part of him now illusive to places he cannot follow but only can capture in broken snatches.

He walked away from the window and began to look for the photo in places where he had not looked before. He gathered all his books, searched between the pages and in the covers but nothing showed up. He pulled the picture frames from the walls and removed the portraits one by one and still he could not find it. Only then he realized that the drops that had begun falling from his face was not sweat, but briny hot stuff which oozed from the cramped dam inside his heart.

He made a nostalgic snort and later threw himself on the floor; just after he did so, the orange beam of sunlight paled and then darkened. His eyes slowly closed.


“Dad, I want toys when you come back home,” Abraham pulled his father’s hand just to solicit a ‘yes’.

“I will,” he had promised.


And then the next day he had knelt down and kissed his Samora Machel’s beloved soil; a kiss of both endless love and goodbye.

The lorry that took him to a certain border town was packed with passengers of unknown destinations. But he knew he would find two or three people going to the same place with him. Luckily, in the evening at a certain spot, two scruffy youths also running away from the unemployment and poverty at home joined him. Together they paid their dues to the unknown men who carefully escorted illegal immigrants into South Africa; in the dark of night through flooded rivers and valleys. Upon stepping on the South African soil his mind jacked up, and he promised himself to work very hard.

While living in a location mainly occupied by poor foreigners, he did all sorts of cheap jobs just to keep himself going. From the meagre that he earned he saved a few Rands for bus fare back home. Now a suitcase had been near to bursting with clothes, toys, and other stuff he bought for his family using his salary over the past months. How great the day when he goes back home to meet his wife and children!


A maddening noise made him jump to his feet and in a moment he was at the window. The scene outside triggered memories of the war days back home, days of the armed struggle. Explosions, pillars of smoke, machetes digging into human faces, blood like rivers and rivers like blood, headless bodies running! But this was not home. He saw a group of youths brandishing axes, pulling down the shanty houses that had been home to hundreds of happiness-seeking foreigners. He did not know what made him think the approaching angry mob were hunting and killing people like him. But he suddenly knew. Houses were up in flames, women and children screamed on the streets which were now strips of fire. He ran outside.

“No! He’s your brother!” he saw an elderly woman wildly screaming in Xhosa language at a gang of young men mercilessly beheading a Malawian man.

A voice in the mad crowd shouted back at the elderly woman in the same language, “Yet the same brother is taking our jobs and starving my family! Shut up old woman! You enjoyed your days!”

The man was long dead by the time the police fired rubber bullets at the protesting, deadly mob. All of a sudden a real gun shot burst from the middle of the savage mob, and in surprising response one riot police officer doubled over as death embraced him in welcome.

He bumped onto the blazing street to see if there was anyone he knew. Yet no one... not even his Zimbabwean neighbours Martin and Nhamo could be seen. The irate mob saw him panicking and in no time they turned after him, shouting ‘n cursing in their different mother languages. But he ran as fast as he could back to his house where upon entering, the first thing he saw was the portrait of Abraham smiling back at him from the mixed litter on the floor. He immediately went down on his knees for the photo as tears mingled with sweat to make dark oil over his face. His voice refused to be silent. “Abu, my son...” “Abu...” he went on whispering his son’s name even as he walked outside, holding the photo in his hand like a suicide bomb. Everywhere his friends were running for their lives.

The mob kept shouting and singing and wielding weapons of death as they crashed the windows, hurled petrol bombs on the roofs, setting the houses and occupants on fire.

They grabbed him before he could catch up with others running from the horror. Nhamo turned back and saw him slowing down but Nhamo could not stop, only screamed, urging him on, “Run, Alberto, run!”

Nhamo disappeared into unknown corners of safety as Alberto’s legs gave in and he stumbled. First a brick just missed his eye; then they finally descended on him like wild dogs. Gallons of flammable liquid were emptied on him and then a single matchstick set the fire of their excitement, singing revolutionary songs their fathers sang during the apartheid era. They sang in a circle that pitched him in the middle like a burning cross. They sang around the hell that they had created for him. They danced the dance of victory in a short space of time. Alberto rose and fell in flames, his hand poking out of the body of fire holding a smiling photograph. Then his burnt body surged into ashes, dreams into smoke and the photograph diminished just as his soul flew back home, to other birds waiting in a nest of hope, and yet of fear.

(In memory of all victims of Xenophobia)



· · · — — — · · ·


The Photograph was written by Beaven Tapureta.


Copyright Beaven Tapureta 2009.



Beaven is a zestful creative writer, journalist, poet. Beaven was nominated for the NAMA 2009 in the Media Print category, for Budding Writers Association of Zimbabwe (BWAZ) Magazine & Freelancer.






14 June 2009

The Visa by Thamsanqa N. Ncube

He sat on the bed, holding the green passport in his hand, his thumb precariously stuck on the visa page, keeping it open; the date of his study permit as well as the legendary script reading “the leave to remain for study purposes only, no recourse to public funds” seemed to assume a life of its own, glaring at him from the page in all its glorious purple colour...

He had to leave this country within the next three days, or else face the wrath of Her Majesty’s Immigration Police; or alternatively, become “hot”; and live in the fringes of society, illegal, on the run...

Skhu had given him a solution, and an ultimatum, the decision had to be made; today...

He looked quickly around the little compact flat, bed-sits they were called, a large room which had a small kitchenette in the corner, and had the rest of the space to use as a bedroom-cum-sitting room; hence bed-sit. He cast his eyes over the little room, his own space; and his mind wandered...

London had been good to him; very good...


He had stepped off the South African Airways flight, right into the middle of a miserable November morning, his first flying experience flawed by his continual rehearsal of what he was going to say to the Immigration Officers at the desk; what with multiple warnings and tales of woe from everybody he knew still ringing in his ear.

“The will take you apart, my friend, and by the time they put your arse on the flight back home, you will be dead...”, this from his very streetwise cousin Themba, whose furthest travel consisted of a train trip to the capital to change the name on his ID, which had come back as Temba, and had resulted in several punch-ins with his mates, who had tended to extend the name to “Matemba”.

“Watch out for the Black Officers when you get to the desk,” Aunty Nomsa had volunteered. At least she had tried this trip twice, and had been turned away both times; “They can be real bastards, you are better off with a white officer”, she had gone on, spicing the tale with the inevitable boast of how she had at least “touched” English soil.

Uncle Sam’s account was more scary, and as he followed the other passengers down the connecting tube between the plane and the Immigration, he looked around furtively, for, according to Uncle Sam, “They have cameras which follow your every movement from the time you get up from your seat on the plane, so you better act very naturally”; this from a man whose nearest exposure to an aeroplane was limited to the annual Air show in Gweru, where he waited on the tables in the dining room, and only saw the planes through the window of the dining room, from a distance.

So he continued along the passage, breathing in heavily, trying to settle the chaos going on in his chest cavity. Boom, boom, boom...

And then he was approaching the queues, one for European Union citizens, and one for the rest; was that not discrimination, apartheid of some sorts...

He quickly joined the queue, and began to observe the Official at the desk, and to make the mental calculations that would ensure that he got served by a white man, at least, according to Aunty Nomsa, he would stand a better chance. The queues moved very quickly, and soon he was able to have a rough estimate of which counter he would go to, and it was not looking good; for according to his calculation, he would be served by a Black Official, and even from this distance, the gentleman looked like he was ready to defend Her Majesty’s Realm from these savages.

His accounting mind quickly calculated that if gave up his current position to the person behind him, all things being equal, (ceteris paribus, as Mr Siziba would put it in the Economics class back at College); he would then end being served by the fat white Officer with a Tintin-like crop of hair on his head; and that would be a good outcome for him.

In front of him, the black lady, who had been chewing gum all the way from Joburg, was next. She would be served by a Black person, and then the next guy, a big white Boer-type, in typical Afrikaans Khaki attire would go to the white Official Official, leaving him with the next in line; a big “Jonah Lomu look-alike”, Official whom he was sure would send him packing, back to Zimbabwe. So he had let this space go, and let the white old lady behind him to go to “Jonah Lomu”.

He had to put his plan into action; quickly bending down to tie his perfectly tied up shoe laces, motioning to the old lady to take his place; and she unaware of the mind of a master at work, smiled casually, and manoeuvred her way to the front, and then the shoes were done and as he straightened up, he quickly noticed that “Miss Chewing Gum” was being led away by a couple of burly white officials, and the equation was suddenly not balancing. The big Afrikaner man then moved quickly to the Black Officer who had just delivered “Miss Chewing Gum” into the hands of the enemy, then the old lady made a bee-line for the white Officer, and next vacant Officer, slowly beckoning him over; “Mr Jonah Lomu”...

He handed over his passport, and “Mr Jonah Lomu” quickly perused the document, asking seconds later, in that funny accent that people from Ireland, or was it Scotland, seemed to possess;

“Wa’ is tha purpose of ya visit to the United Kingdom?” he asked, seeming to deliberately not complete the full syllable of his words.

“To visit, Sir”, he replied, not recognising the bird-like sounds emanating from his dry mouth. "I would like to see Buckingham Palace, perhaps have tea with the Queen,” he tried a line that he had been rehearsing over and over in the plane, and the Officer lifted his eyes from the passport for a moment, his face not showing any emotion whatsoever, perhaps he had heard the joke too many times, and carried on with his questioning.

“How much money have you got on you”.

“£400, plus about 10 000 of our worthless Zim Dollar”; still no takers on the jokes.

“How lon’ will ya be stayin’ in the UK?”

“Have you go’ any proof of Income from your country?”

“Do you intend to return to your country at the end of ya visi’, and have you go’ proof of a job or business you will do when you go baack”

He answered all the questions, limiting the jokes, and trying his best to control the squeak that was emanating from his throat.

And then, stamp, stamp, one, two entries into the computer, and; then.

“Enjoy your stay in the UK.”

And it was over, and he was shoving all his documents into his bag, his heart beating so fast that he felt he was going to faint, and then he was out of there, walking slowly, following the green arrows, waiting to hear his name being called; the interrogation room, the flight back, the embarrassment of being an “almost-Diaspora”...

But he was in, and that was all that counted.



He was back in the present, now lying on the bed, looking up at the ornate light fixture, as he begun to think of the reasons why he had come to this place that had given him so much, and yet taken so much away from him at the same time.

His reasons, his ONLY reason when he left that country, running from the fast collapsing dream that one defiant guerilla had almost brought to fruition, running from the one true love he had known in his life; running with promises of returning, returning with heaven and all its glory…returning home; home to Sarudzo, his Sarudzo...


They had met at Founders, his old school, Lower Sixth Formers, brimming with the confidence and after glow of a couple of A Grades at O’Level, ready to face the world; he almost sunken in his oversize blazer, and white shirt, the maroon striped tie hanging tightly onto his Adams Apple, and she...

She was the most beautiful girl he had ever seen, and as the small queue to the Bursar’s Office moved slowly she gracefully flowed with it, her pleated skirt seeming too eager to reveal the wide, ample hips underneath it, her white blouse doing little to hide the bra underneath, holding in place a pair of the most perfect breasts he had ever laid his eyes on. Her hair was tied back in a nice little bun, the little ribbon holding it in place creating this image of the total innocence of a little girl, spiced with the sexual allure of a mature, graceful impala…

She was beautiful, and he had to have her...

And such was their whirlwind romance, that the two years they had spent at Founders were the most fulfilling years of his life; their special corner in the library, their long walks to the nearby Bellevue shops, their intimate stolen kisses in the corridors of the school, their passionate lovemaking in the boys’ dressing rooms…

And then the two years were up, and the spectre of separation stared them in the face; but their love had conquered, and as he proceeded to College to do his Accounting Diploma she took a temporary teaching job in the rural areas of Gwanda, and he did not miss a weekend, spending all his grant money travelling between Bulawyo and Masholomoshe High School, where he became such a regular feature he was offered a place to teach…

He had then finished his Diploma, and got a job with a local Department store, which came with the obligatory Mazda 323, a house in Glenkara, and they had begun to talk about marriage; for was there any other way?

And then disaster had struck...

The ruling party lost the referendum on a new Constitution, and then the proverbial shit hit the fan. War veterans, surprisingly as young as eighteen, took over the white owned farms, displacing people from very productive farms, sending the whole economy into a tailspin. Salaries could not buy anything, and Sarudzo had to quit her teaching job, as the salary could only take her to and from Gwanda, leaving her with nothing to do anything; as for the wedding plans, they quickly flew out of the window, for how could they carry it off? His salary, high as it was, became eroded with inflation, and by the time he got paid he was taking the “mtshova” public transport to work, without enough money to fuel the fast deteriorating Mazda 323. Eventually that ground to a halt, as the fuel shortages began, and eventually, it stood there in the sun in the yard of his Mganwini house, paint peeling off; testament to the collapsing economy, and a funny metaphor for the thousands of young people that were leaving the country, destined for such far away places as New Zealand, China, Australia, and of course, Great Britain…

They sat together one night, and discussed the situation that they found themselves in, their dreams and their future being sacrificed on the rotten alter of greed, insanity and political naivety; and decided that it was time.

They pooled their resources together; begging this Uncle to sell his cattle, and that one to re mortgage their house to raise the required amount for a ticket out of that hell hole; and with a tearful goodbye, and promises to return and get her out of there, he had left on the long haul flight to London, Heathrow, via Johannesburg...


He had spent the first year in London working so hard that he barely slept moving from one shift to another, going from working at the local Tesco’s garage to being a specialist British Arse Wipe, working the Nursing homes like there was no tomorrow; and he spoke on the phone to Sarudzo, calling her, reassuring her that he would be back, and most of the money that was left over from his weekly wages, he religiously sent it home, and Sarudzo would acknowledge it, telling him that they were very close to reaching their goal, and that he would be back home soon; her coming over was now out of the picture, with British Government stepping up the rhetoric with the regime, visas into the UK were now a distant memory, and very few people actually made it past the Immigration counter at Heathrow, and week in and week out, the growing Zimbabwean community gathered in their little bed-sits to discus how so and so’s wife and children had been returned, some for the second or third time.

So they had decided that Sarudzo would not even bother trying, and he would work, accumulate the funds they needed and then make his way home, to the wedding at Nesbitt Castle on the outskirts of the city, the newly extended house in Mganwini, and the big family they had so lovingly spoken of starting as soon as possible. That had been the plan; until a year ago, until Skhu...


She walked into his life with confidence that this country somehow managed to give to the girls from home; even the original Mupandawana Growth Point bumpkin seemed to acquire this as soon as their got on their feet in this country. These girls knew no boundaries, they did not care to apply or fix their make –up with one hand and wipe the arse of a 100 year old nursing home inmate with the other, ready to go out and party till tomorrow morning at six, and to be at their next shift at eight o’clock of the same morning. These were the new kugels, the London girls, and they knew were every party was happening, and they were friends with half the people at any given function, exchanging hugs and kisses with half the men in the house. These were the London girls, and he had gone almost for the whole year in ignorance of this sector of the immigrant community, his thoughts focused on his goal- Home, Sarudzo, the wedding.

Then he met her; Chest out, stomach in, hips out, lips pouting, lipstick, gloss, Chanel No 5, latest Gucci bag, driving a sleek Peugeot 305, latest cell phone. She knocked him off his feet when they met as Agency staff at some Nursing Home on the South End, and he had spent the rest of that day running around trying to avoid her doing any of the dirty work around the Home; like taking the inmates to the toilet, bathing them or even feeding; it was not right, she was too beautiful, too much work for those nails, that arched back.

Instead he swapped his bed-making, dishwashing, as well as medicine trolley shift with her. Still not good enough, but better than the other tasks. By the end of the shift, having deliberately paired himself with her for the last duty of the day-putting most of the inmates to bed, she went into a room and ignoring the unintelligible complaints from the old lady, closed the door, turned around and fell into his arms, giving him a long sensuous kiss. He almost fainted, and as the old woman continued to protest, she pushed him against the wall and whispered softly in his ear, “You are a good African man, and there are only a few in this country, so I found you, and I am going to have you,” she kissed him again, and he was taken...

They had met later on at her local pub, and she had told him about herself; Skhuphukile, middle daughter of the Khumalo family, royalty in every way, born of the son of one the Khumalo chiefs of the Ntabazinduna area, a direct descendant of Mzilikazi KaMatshobana, the founder of the Ndebele nation; how she had been a student teacher at Belvedere, and how she had come to this country just before things took a turn for the worst. She had a brother and two sisters on the South Coast, in Brighton, East Sussex, and had had a couple of semi-serious relationships that had not worked out. She was a couple of years older than him; and she had “done all the playing I can do; its time to settle down”; she had told him, and she had gone on to tell him that she had managed to get the elusive “indefinite leave to remain”, from one of her brother’s connections at the Home Office, and was therefore here to stay...

Their relationship had blossomed from there, and she had taken him to parts of this city that he had only read about in books and seen on films; by Madam Tussauds, the Big Eye, on the River Thames, day trips in London, to Buckingham Palace; which he still had nit been to up to now, having claimed he was coming to visit to see it...

The phone calls home to Sarudzo became more and more infrequent, and the money did not go as regularly, and the hours of work became less and less; just enough to pay rental, and have some extra for the social life;

Skhu was one of those girls that got invited to everything and anything that was happening in the city; together they went to the clubs, the parties, the concerts and the private parties and the subsequent after parties that lasted into the early hours of the morning; this was the life; and each party he went to he became more and more proud of having Skhu by his side, for she was a beautiful woman, and as the other men watched with envy, he prided himself on his conquest, and was proud to be saying in his heart at every event, “she aint goin’ home with you, cowboys”.

When he spoke to Sarudzo however, he could still feel the heart of hearts that had sustained her through it all in the collapsing house of cards that their lives had become back home; he could feel the love in her voice, and the innocent, trusting heart of the woman who had taught him about love, and his heart broke every time he lied to her, and every time she spoke to him bout the wedding preparations, he could not bring himself to tell her about Skhu...

What would he say to her? That he did not love her any more because there was this sophisticated, fast and free woman that had captured his imagination and taken him on a kaleidoscopic journey of wonderment in a foreign land?

Would he say to her that he still loved her, and no matter how much fun the life here was, his heart was still anchored on the stones of faith they had laid together under the great Mwaba tree by the Shashi River in Masholomoshe all those years ago, that he was still looking forward to walking down that aisle with her to the strumming sound of “Queen of my Heart”...

What would he say to her...?

And then he had come home to his fist Floor bed-sit, and found the letter from the Home Office, straight from East Croydon, reminding him that his Visa would expire, and he should make a plan to remove himself and his dependants from the United Kingdom on or before that date.

That had been a week ago, and in three days time, his visa would expire.

He had shown the letter to Skhu, and she had looked at him long and hard as they sat watching Big Brother.“Do you love me?” she asked, looking at him with her brown eyes wide open, expecting, waiting for confirmation, like a dog waiting for a morsel from the table. He had looked at her, his mind racing to a different place, a different time zone, a different face, and with his heart breaking, he replied, in that way which only men know.

“Babes, you know I love you, but I cannot stay in this country and live like a fugitive. My visa is expiring, and I have to go, maybe I can try and apply for another one from home”

“Of course you know you will not get another visa, you have overstayed your student visa, and you never attended any lessons at that funny school of yours anyway;” she said in that soft way she had with words, and he knew it was true.

When his original visitors visa had expired, he had managed to get a student visa, paying £300 to some Nigerian guy, who provide him with papers proving that he was a student at the South London College of Theology, doing a Diploma in Theology. He had applied for a student visa, and had got a two year visa, and today, this one was also expiring.

Was it time to go home? Home to Sarudzo; the wedding, Sarudzo... Sarudzo...

And then Skhu had dropped the bombshell.

“Babes, will you marry me?” she asked, sitting up and looking him in the eye.

He sat up, and looked her, “I thought it was normally the guy that does the asking”, he asked, buying himself time to think; to think about to a different place, a different time zone, a different face...

She had continued, “You know if we get married here in London, you can then go home and sort out a Spouse’s visa using my papers, and then you can come back, and we start organising properly, with the visa thing out of the way”.

She had thrown it out there, and he had felt his mouth go dry. He had not replied her, and for the next couple of days, he worked flat out, avoiding the question each time she had called him on the phone. A wedding, Nesbit Castle a different place, a different time zone, a different face...

He sat up on the bed, and looked at the passport in his hand.

Today was the day; the wedding had to take place tomorrow, and then he would apply for the Spouse Visa, and leave for home within a week, and then he would come back, back to Skhu, and they would organise the proper wedding, and go through the whole traditional rigmarole.

Or would it be back home to Sarudzo, for good, to forget about the two years in this city, to forget about Skhu, carry on with their plans?

Could he do it?

Could he marry her for the sake of the visa that the marriage would entitle him to?

Or could he throw away everything that he and Sarudzo had worked for all these years; the love, the sacrifices, the plans, family?

What did he feel for Skhu? Who was Skhu? Was she an illusion in a journey, or the reality that he was now living in?

Skhu? Sarudzo?

Skhu? Sarudzo?

He turned on his back again, and closed his eyes, and felt himself drifting off to sleep, dreaming of white veils, wedding dresses, Immigration Police, Visas... dreaming, drifting...

A wedding, Nesbit Castle a different place, a different time zone, a different face...



The Visa was written by Thamsanqa N. Ncube.


Copyright Thamsanqa N. Ncube 2009.



I am a citizen of the world, who happened to be born in a beautiful country called Zimbabwe, a country I love and adore with all my heart.

I have traveled around the world, including Europe, the Americas and Africa and walked and lived with people of different races, tribes, affiliations and afflictions, and that has built in me a huge understanding of the concept of the Global Village, and my place in it.

I was born more than 30 years ago, (am growing old and therefore sensitive about my true age!!), in the beautiful hills of Matopo, just outside Bulawayo, and sometimes I like to think that the beauty of that area was my first inspiration towards writing.

I started writing when I was probably eight or nine, and had my first published work in the Sunday News in Bulawayo, around 1994, a story about the returning from the war of Liberation of the so-called Comrades, the expectations that they had, and how it all came to nothing for some of them…So the issues of the politics of my country have always, and will continue to be close to my heart.

My first poetry Anthology, “Mureza, in the Shadow of the Flag” is currently doing the rounds in the various ezines, including Munyori Literary Journal; Ascent Aspirations in Canada, ibhuku.com, as well as a few hard copy anthologies including Timbila Poetry Journal, and the Consumnes River Journal in the USA.

Zimbabwe, its history, its people and the journey that my country has taken from a long time ago, is surely the subject of long, sweet poetry…It is the story of a people who have valiantly and proudly shaped their own destiny, and Mureza is an acknowledgement that whatever happens to Zimbabwe, our flag, our Mureza, will continue to flutter and give us shelter, and no matter how desperate thing s may appear now, things will, as they always do, get back to normal.

I believe that poets and writers are like the Biblical prophets of old; they are the mirrors through which society can look at itself and reflect upon its past, its present, and the journey which that society is facing into the future.
I believe my job as a poet is to reflect the feelings and “heart of a Nation”, so indeed, as a poet I need to be involved in the politics of my nation, but only as a mirror does; it will show you that your face is dirty, but the first time it reaches out to clean that face, then you know you have problems!!

I am in the final stages of securing a publishing deal for this anthology, and hope it will be in print by the end of the year.

I am also in the process of completing my first collection of short stories, from which I have extracted most of the work you will read on Storytime.

Keep reading and writing!!

Thamsanqa N. Ncube.

07 June 2009

A Cicada In The Shimmer by Christopher Mlalazi

It was trapped inside his mind, which was a world falling away into a darkish-greyish, shimmering soot. He opened his eyes. Pale light shafted into the room through a rent in the curtain, but, groggily, he knew that it was a moon beam, and it was still night. He turned inside the blankets on to his left and removed the heels of his palms digging into his ears. The trill was still there, incessant, and now outside his head. He ground his palms over his ears again, tightly. The sound pierced on, now inside his head again...




This story has been selected for the StoryTime anthology African Roar, please go to the African Roar site for more info on the book.



A Cicada In The Shimmer was written by Christopher Mlalazi.


Copyright Christopher Mlalazi 2009.



Christopher Mlalazi writes prose, poetry, drama (TV and stage), and also children's fiction.



In 2004 he received the HIGHLY RECOMMENDED citation in the Sable Lit Mag/Arvon (UK) Short Story Contest. In 2007 he was shortlisted for the HSBC PEN SOUTH AFRICA SHORT STORY CONTEST, and in 2008 he was awarded the OXFAM NOVIB/PEN FREEDOM OF EXPRESSION AWARD.



He has published short stories in Zimbabwe, Europe, as well as on the web, and was also published in the 2005 Cain Prize Anthology (Orbituray Tango),the 2006 Edinburgh Review, and the 2007 AFRICA PENS. In winter of 2009 he is publishing his debut short story in The Literary Review (USA).

Currently he is working on a novel he hopes to finish by mid 2009, if not earlier, and has a stage play under rehearsal.

On the 14th of Feb 2009, Christopher was awarded the NAMA in the Outstanding First Creative Published Work category for his debut book, a collection of short stories called Dancing with Life.





 
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